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The Language of Cinema
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Capsule Movie Reviews


The Missouri Breaks (1976)
Penn dismantles the myth of the westerner, who traditionally is a transient figure with no home. The vegetable garden where he tries to develop his roots in the land is an indication of his domestic tendencies. So is the scene where he prepares tea for Jane (Kathleen Loyd). Penn further disrupts classic Western conventions by reversing traditional gender dynamics, presenting Jane as the sexual aggressor. Penn subversively reveals that Clayton’s sinister professionalism is not
nmojtahed
Apr 83 min read


To Be or Not to Be (1942)
In To Be or Not to Be (1942), Ernst Lubitsch revisits one of his recurring themes: the fluid border between role-playing and real life. He satirizes both sides. He demonstrates that the voracious appetite for sex is not exclusive to Germans, and is also shared by characters on the opposite side, Maria (Carole Lombard) and Sobinski (Robert Stack). Colonel Ehrhardt’s pomposity is to cover up his lack of confidence. Tura also has his problem with soliloquy as someone leaves as
nmojtahed
Mar 293 min read


My Darling Clementine (1946)
Clementine's script was written based on the historical records of the period when Wyatt Earp (Henry Fonda) was the marshal of Tombstone and his brothers were his deputies. The darkness of Ford's vision in the postwar period is portrayed as Dallas, the prostitute with a heart of gold, turns to Chihuahua, wearing the pendant James purchased for his fiancée. The confrontation between the Earps and the violent, nomadic Clantons creates the tension which becomes central theme of
nmojtahed
Mar 212 min read


He Walked by Night (1948)
He Walked by Night (1948) marks a pivotal shift in the gangster genre, further refining the police procedural styles that emerged in the late 1940s. Notably, it may have been the first to display a hand-drawn facial composite. Although Anthony Mann joined the production uncredited. Mann directed several crucial exterior scenes, most notably the murder of the police officer and the climactic tunnel manhunt. This success was made possible by his collaboration with cinematogra
nmojtahed
Mar 113 min read


Morocco (1930)
The first collaboration of Joseph Sternberg and Marline Dietrich in the US is a masterpiece with Jules Furthman writing the script and Lee Garmes outstanding B&W photography. To develop his characters, Sternberg subverts typical Hollywood conventions. The film begins with Amy Jolly wearing a male outfit for a performance; the air of masculinity enhances her feminine appeal. Tom Brown (Gary Cooper), is presented mesmerized with her performance.
nmojtahed
Feb 242 min read


Pandora's Box (1929)
In Pandora's Box Pabst explores the anxieties and desires of the modern world through a female figure typical of the period. Pabst renders her character as an innocent woman who is largely oblivious to the consequences of her actions. The devastation that follows her, for the most part, stems from the unveiling of flaws the old world had to shield under the facade of civility and social norms. London’s foggy and claustrophobic streets stand in opposition to the bright world
nmojtahed
Feb 202 min read


The Bad and the Beautiful (1952)
Vincente Minnelli’s The Bad and the Beautiful (1952) explores the duality of a system that is responsible for creating the highest cinematic achievements while showing no regard for the talents, without them, those movies would have never been made. One of the central themes of the movie is the blurred border between reality and the fantasy world of the stage. Lana Turner, as Georgia, plays herself and Jonathan Shields was developed based of David Selznick, the powerful prod
nmojtahed
Feb 62 min read


The War of the Worlds (1953)
The War of the Worlds was a breakthrough in the history of Sci-Fi genre, employing techniques that were created by the makers of the movie. The innovative use of special effects and sound effects was considered groundbreaking. It has been said that, out of the movie's budget of 2 million dollars, 1.5 million went to special effects. Several large-scale science fiction movies, even films like remake of The War of the Worlds in 2005 have references as homage to the original v
nmojtahed
Jan 294 min read


Vertigo (1958)
Hitchcock in Vertigo (1958) looks at man's desire to create his dream woman. The movie’s response is that the dream woman remains a fantasy and never materializes. The triumph of fantasy, when Judy appears, as Madeleine, although overwhelming is short-lived. Bernard Hermann composed the movie’s celebrated score with inspiration from the opera Tristan and Isolde by Wagner, reflecting on the story of an impossible love on earth, embracing mystical death to resurrect their love
nmojtahed
Jan 202 min read


The Exterminating Angel (1962)
The Exterminating Angel (1962): The inherent chaos comes to the surface when the bourgeoisie, overwhelmed by the current circumstance, can no longer maintain the facade of normalcy. Luis Buñuel started his career in cinema with Un Chien Andalou (1929), a short movie that redefined the boundaries of filmmaking at the time. However, he had to abandon the style as he began making movies that had to be successful at the box office. The Exterminating Angel (196
nmojtahed
Jan 92 min read


Some Came Running (1958)
Minnelli presents the dysfunctional family by separating its members into three distinct planes, with no eye contact or emotional connection between them. Based on Henry Jones’ novel of the same title, Some Came Running explores the struggles of a small Midwest town to find meaning in life as they realize the war has shattered the values they once believed to be flawless. Overwhelmed by the new world, they would rather cling to the illusory ideals of prewar conformity. The n
nmojtahed
Jan 1, 20262 min read


Man of the West (1958)
The last major western of Anthony Mann, possibly his best. The leading character, Link Jones, follows the archetypal revenge path of Mann’s protagonist, though in this movie, the revenge, unlike his movies with Jimmy Stewart, is initially not self-conscious. On his arrival at the shack where his ex-gang members live, in response to one of them asking how he found the place, he states, “I stumbled into it.” Mann returns to the theme of violence as the undercurrent of relations
nmojtahed
Dec 18, 20252 min read


Capsule Movie Reviews
The Earrings of Madame de (1953) The Earrings of Madame de: The film opens with the husband sending away his mistress—an act motivated partly by a sense of loyalty to his wife, partly by a desire to assert control over his domestic life and his identity as a high-ranking military figure. However, the illusion of control with its underlying violence unravels when, in a brutal act, he kills the man his wife loves, causing the death of his wife at the same time. Louise undergo
nmojtahed
Dec 15, 20253 min read
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